In 1688, Bishop Diego Evelino de Compostela who was determined
to establish parish churches in urban and rural areas, founded
the parish church of the town Pinar del Rio. It was dedicated to Saint Rosendo (Rudesindus Guterri in Latin) according to the
tradition. Saint Rosendo was chosen as protector of this region
by the first inhabitants when they attended a mass in a small
hermitage under a pine forest on the banks of the Río Hato de
San Mateo in the mid-17th century.
Saint Rosendo (907-977), Patron Saint of Pinar del Rio, was a
Galician reforming bishop that founded several monasteries and
abbeys, all under strict Benedictine Rule. He was canonized by
Pope Celestine III in 1195.
The current solid building was inaugurated as parish church in
1883, parallel to the establishment of the city of Pinar del
Rio. When the Diocese of Pinar del Río was established by Pope
Leo XIII only nine months after the birth of the Republic in
1903 , the old parish church was elevated to the rank of
bishopric and received the category of cathedral. It was
consecrated by Bishop Manuel Ruiz y Rodríguez in 1914. This
diocese covers the province of Pinar del Río and the western
half of Artemisa, that is, the municipalities of San Cristóbal,
Bahía Honda, Candelaria, Artemisa, Guanajay and Mariel.
The church has three naves, a larger central one and two lateral
ones. Its style places it closer to neoclassical although with
some evocations of the baroque style. On the neoclassical
façade, there are the sculptures of Saint Peter and Saint Paul,
made of stone. They were brought from Spain.
In the garden at the entrance of the church, there stands the
sculpture of the Sagrado Corazón de Jesús (Sacred Heart of
Jesus). A sculpture in memory of the father, philosopher,
politician, teacher and Cuban writer Félix Varela is located in
the side garden of the Cathedral, accompanied by a plaque with
the phrase: "Seek the glory of God in everything, sanctifying
our actions, tending towards love of neighbor", by Varela.
There are important images inside the cathedral, such as the
image of San Rosendo behind the altar. On his right stands the
image of San José, and on his left stands the image of Virgin of
Charity of El Cobre, Patron Saint of Cuba. A special place is
reserved for the image of the Virgin of Sorrows, considered also
the oldest and one of the most popular images that was used in
the process along with Christ. The church also has an excellent
stained glass window referencing the story of the Virgin of
Charity of El Cobre.