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Museo de la Orfebrería

The old colonial house that serves as the Museo de la Orfebrería (Goldsmith's Museum) today, was built in 1707. His owner was the silversmith Gregorio Tabares. It was a faithful example of Havana’s neoclassical domestic architecture. Until the first quarter of the 20th century, the building was used by different owners for various purposes. In 1959 it became a minting workshop, and in 1996 it was inaugurated as the Museo de la Orfebrería to exhibit the objects made from precious metals and to show the level reached in this field in Cuba, although the island never had so much deposits of precious metals before. Some of the samples are the patrimony of the Cuban families, brought from outside of the island, but most of them are elaborated by masters of the city.

THE MUSEUM

On the ground floor the museum has a vast a collection of objects from the 19th and 20th century, such as the swords and the walking sticks. Some of the swords have an elegant design, as they were used in ceremonies. The walking sticks are carved from wooden and ornamented with gold, silver or steel pieces. Two of the exhibited walking sticks have also stiletto inside. Among the exhibited silver products, such as plates, basins and ewers, the most striking piece of the collection is the silver basin from Peru. The silver braziers, made by Misa Besada brothers, are among the masterpieces of the museum from the 19th century. The museum includes pieces made in Havana by Cubans and Spanish goldsmiths, settled in the city since the early 19th century, such as the brothers Misa Besada, Pisano, and Juan Bautista Prentice, who had different silverware workshops. 

The ostentatious table watches that were made of silver, porcelain, bronze or enamel, were brought from France, Swiss and United States. Additionally, the visitor will see some silver ashtrays, an important collection of numismatic pieces, and a smoker desk on the ground floor. An oil painting of the Spanish painter José de Madrazo with the title “agudo el amor divino y el amor profan/acute divine love and profane love” enriches the wall of the museum. At the back of the ground floor, you will find several safe boxes, manufactured in the 19th century. The last one is very interesting, as it looks like a furniture from outside.

On the upper floor there are some religious pieces and objects for the dining room, like the cutlery. A jewellery shop is also located in the same building.

The Casa de la Orfebrería is also the seat of the Congregation of Plateros San Eloy that brings together those who currently work in the trade of the products of the of the gold- and silversmiths. The organization was established in 1665, and reborn in 1997. Since then it has its headquarter in this beautiful museum.

In the rooms of the museum some conferences, workshops, exhibitions of plastic arts and objects related to silverware, are organized that contribute to the knowledge of the art of the goldsmiths, since in Cuba there is no academy dedicated to the teaching of this artistic work.

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The oil painting,of the Spanish painter José de Madrazo
with the title
“agudo el amor divino y el amor profan/acute divine love and profane love”
Localization
Museo de la Orfebrería is located on the Obispo street #113, between the Mercaderes and the Oficios streets, a few meters next to the Plaza de Armas (on the right side of La Mina restaurant).
Opening Hours
Tuesday-Sunday 09:00-18:30
Admission Details
1 CUC
the ground floor
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the upper floor
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The dining room set, made of mahogany, leather and bronze. It was manufactured in the last decade of the 19th century for the Marquises of Duquesne.
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The punch bowl made of silver. It is from 1970s and made by Gorham in the US. The crystal candlesticks are from the 20th century.
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Marine by H. Karibar (20th century)
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The silver tray that belonged to the third Count of Fernandina José María de Herrera y Garro.
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The silver models of two roosters, made in Peru in the 20th century.
The silver model of a sailboat made in Italy in the 20th century.
The silver model of a Mexican caravel.
The silver model of a sailboat made in Malta.
The silver model of the caravel Santa María. Made in Spain in the 20th century.
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One of the two silver planchets made by Juan Bautista Prentice (Workshop El Espejo) in Havana in the second half of the 19th century. They belonged to the Cathedral of Havana.
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The other silver planchet
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The silver florones made in Havana in the 19th century and the mahogany desk with mother of perls (19th century).
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